Antiphony

Cover design, interior design, typesetting

Antiphony is a 2006 story about one non-native woman’s stay in a village of Sami people, an indigenous group who inhabit Northern Scandinavia. Set in the 1990s, it is described as a “picture of Sami culture in transition and in the face of inevitable outside forces.” As a part of the course Indigenous Literature of the Circumpolar Arctic, I set out to design a new, vibrant cover for Antiphony, hoping to begin a discussion on the common visuals associated with Indigenous literature and entice readers to pick up the book.

Challenge

My task was deciding how best to pay homage to the story while avoiding stereotypical imagery that would immediately signal this work is a part of “Indigenous Literature.” I did extensive research into how Indigenous and non-Indigenous people have been visually represented in books, specifically textbooks, to better understand the importance behind these visual choices.

Paperback 5.5 in. x 8.5 in., 144 pp.
Inspiration: Sami flag, accessible design

Cover Design

In my research, non-Indigenous people were typically shown as active (seen reading, cycling, playing video games, watching a movie, etc.), complex, and technologically advanced, while photos of Indigenous people have often portrayed them as passive, simple, faced away from the viewer, and wearing traditional clothing (i.e. conveying they are connected to and/or “of the past”). Because of this, I decided the main image should portray a Sami person head-on, in motion, or performing an action. In response to the common use of outdated, overly simple visuals that only focus on their history, I wanted to acknowledge the full, present-day existence of groups like the Sami people by going for a bold and modern look on the cover.

The end result was made using stills of Sami singer Sara Marielle Gaup Beaska as she yoiks, a form of song unique to the Sami people. Yoik is mentioned several times throughout Antiphony as an activity that the Sami people are prohibited from performing by the dominant outside culture beginning to penetrate their ways of life. As readers get further into Laila Stien’s story, this action becomes clear to them either as a yoik or as a representation of the three Sami women who speak with the narrator in Antiphony.

Interior Design

I focused on giving the interior pages the same bold, modern look as the cover. My inspiration for the title page imagery comes from the flag of the Sami people, pictured next to this.

I tried to make the text as accessible as possible by considering font type, font size, paragraph alignment, and many other factors, explored further in my Accessibility in Print Design project.

Left: redesigned versions, Right: original versions